![]() The sound of Succession came from Britell's early conversations with McKay and the show's creator, Jesse Armstrong, as well as his visits to the set. "The picture tells you what it's looking for." "So much of my early work on anything is really sort of trying to experiment and see what could work and what feels right," he says, adding that the process usually starts with conversations with the showrunner and ends once there's an edited episode to work off. ![]() Once Britell came on board, his first task was to figure out what the project should sound like. That's how he knew director Adam McKay, who told him in 2016 about the new show he was executive producing. He previously worked on acclaimed films including Moonlight, If Beale Street Could Talk, Don't Look Up and The Big Short. Succession is Britell's first foray into television. "And certainly on the music side, it's been very special that the music has resonated the way it has. "What's happened with Succession has been beyond my, any of our wildest dreams, I think," he told Morning Edition. ![]()
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